The days between Christmas and New Year’s Eve are the short season of taking stock, the week before the calendar year turns. So what did CAN do this year? CAN’s First Strategic Plan You may have tuned in to the public presentation via Zoom of CAN’s first-ever Strategic Plan. Thanks to support from the Cleveland Foundation and the Gund Foundation, […]
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Dolls are ancient and universal. Most often these figurines, whether large or small, call them mannequins, puppets, dummies, or children’s toys – are of comfort or of use; others are distinctly uncanny. The tools of wizards and priests, such objects focus passion and purpose, and invoke (it is claimed) the spirits of the dead. In every corner of the human […]
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The thing about the internet is, you don’t have to ask what is popular. You know by the number of page views. So with page views as our yardstick, we’re going to tell you what were CAN’s Top Ten Posts of 2021. But first, a word on such things: Some of the stories that got the most views in 2021 […]
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Glass and ceramics have long held a position at the crossroads between craft, utilitarianism, and fine art. Kindred Objects: Ceramics & Glass from the Western Reserve, at the Artists Archives of the Western Reserve on view through December 18, embraces each of those aspects in a breathtaking array of style and form. “I feel like glass and ceramics often get jammed […]
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The 2022 FRONT International Cleveland Triennial for Contemporary Art is due to open in multiple Northeast Ohio venues in July, 2022. Delayed by the pandemic, it’s been the better part of four years since the inaugural version of the exhibition, though it may seem even longer: we’ve all watched as the zeitgeist took a few wild turns between then and […]
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My wife and I are aesthetically simpatico, mostly celebrating (or at least affirming each other’s right to have specific tastes) the same kinds of art, music, movies, TV, etc. When we diverge it usually has to do with a high-falutin, high country of the mind conclusion or two that I’ve made about how “deep” something or other is and how intellectually sharp […]
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For years Laurence Channing was director of publications at the Cleveland Museum of Art, but would rise every morning hours before dawn to put in a few hours of drawing before he went to work. As this suggests, while his effects are delicate, there’s a stubborn intensity to his vision. He seems indifferent to the usual artistic tricks for calling […]
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In his solo exhibit “Transience and the Gift of Curiosity” at HEDGE Gallery, David King’s small painting “Lava Field” shows two girls, running hand-in-hand toward the viewer. They emerge from a gray- brown wall of mist or smoke, across the glowing cracks of a lava flow. Members of the artist’s family, these girls are literally figures from the past, […]
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In their Sonata No. 6 Project, curator Christopher Richards and composer Ryan Charles Ramer brought a new piece of music into the world with some fanfare. They also went looking for the power of abstraction to inspire a group of artists, and to see what a selection of artists responding to the same piece of music might express in common. […]
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On a classic-Cleveland grey day in late October, I met with multi-disciplinary artist, Christa Freehands and artist-advocate and Deep Roots Experience founding director, David Ramsey at his Central neighborhood gallery to discuss Freehands’s upcoming solo exhibition “Freehands Seasons” opening on November 27. Since we met in the morning, I brought my own coffee in a mason jar wrapped with bright […]
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