FRONT at CMA: In Ruins, There Are Always Possibilities

Unfortunately, I’m not very plugged into the FRONT International Cleveland Triennial for Contemporary Art in 2022. I’m moving out of town and haven’t had the time, blah blah blah. Fortunately, my farewell ramble through the Cleveland Museum of Art brought me to the Glass Box gallery (#218) and the vast ocean of all possibilities, an electrifying installation by Firelei Baez. […]

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Girls To The Front: Women In Print, at CMA

The thirty works currently on view in the James and Hanna Bartlett Prints and Drawings Gallery are all by women, which is surprisingly a first for the Cleveland Museum of Art. Not that they haven’t shown the work of women printmakers before—there was a 2002-2003 exhibition of Elizabeth Catlett’s prints and sculpture, although of course that’s an entirely different kind […]

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Like a Prophecy: Private Lives of the Nabis

At the time of its conception more than five years ago, no one could have conceived the ways the Cleveland Museum of Art’s exhibit Private Lives: Home and Family in the Art of the Nabis would coincidentally connect to contemporary experience in 2021. Private Lives gathers paintings and prints from a group of late 19th-century artists in Paris. Members of […]

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Proof: A Pictorial on the Politics of Exclusion

  The events of 2020 have been quite revealing when it comes to matters of race in America. There is a global consciousness of the tensions here, as the world virtually watched life escape Minnesotan George Floyd on May 29th. Corporate responses came moments later. New terms like “anti-racism” accompanied pledges to give greater thought to ways to acknowledge and […]

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CMA Online: Home is Where the Art Is

The Cleveland Museum of Art’s strategic plan Making Art Matter: A Strategic Framework for Our Second Century (2017) distills the myriad elements of a museum experience into three essentials: Art, Place, and Audience. Collectively, the three activate engagement, inspire wonder, and advance the CMA’s mission to “create transformative experiences through art, for the benefit of all the people forever.” What […]

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2019: A forward-looking retrospective

Elsewhere on the digital pages of CAN, Brittany M. Hudak and Michael Gill have written fine-grained and big-picture analyses of the year in Northeast Ohio art. Hudak remembered the year in a series of particular exhibits; Gill contextualized local developments within larger trends in the artworld. This post, then, is calibrated towards the medium scale—events which made a great immediate […]

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