Girls To The Front: Women In Print, at CMA

The thirty works currently on view in the James and Hanna Bartlett Prints and Drawings Gallery are all by women, which is surprisingly a first for the Cleveland Museum of Art. Not that they haven’t shown the work of women printmakers before—there was a 2002-2003 exhibition of Elizabeth Catlett’s prints and sculpture, although of course that’s an entirely different kind […]

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Like a Prophecy: Private Lives of the Nabis

At the time of its conception more than five years ago, no one could have conceived the ways the Cleveland Museum of Art’s exhibit Private Lives: Home and Family in the Art of the Nabis would coincidentally connect to contemporary experience in 2021. Private Lives gathers paintings and prints from a group of late 19th-century artists in Paris. Members of […]

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Do You Really Want to Go Back in Time? Laura Owens at Transformer Station

Laura Owens (American, b. 1970). Oil, Flashe, and screenprinting ink on linen; 69 x 60 in. Copyright Laura Owens. Courtesy of the artist; Sadie Coles HQ, London; and Galerie Gisela Capitain, Cologne. Photography by Jason Mandella   On view at Transformer Station February 27 – May 30,  Rerun is a homecoming for artist Laura Owens, who was raised in Norwalk, […]

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CMA Online: Home is Where the Art Is

The Cleveland Museum of Art’s strategic plan Making Art Matter: A Strategic Framework for Our Second Century (2017) distills the myriad elements of a museum experience into three essentials: Art, Place, and Audience. Collectively, the three activate engagement, inspire wonder, and advance the CMA’s mission to “create transformative experiences through art, for the benefit of all the people forever.” What […]

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Art from a Distance: Home Is Where The Art Is, hosted by the Cleveland Museum of Art

True to the pledge to be “For the benefit of all the people, forever,” the Cleveland Museum of Art has continued offering aesthetic, educational programming during coronavirus-imposed closure of their brick-and-mortar galleries. About every ten days since March 20, the CMA has posted an episode to its new YouTube series, “Home Is Where The Art Is.” Hosted by a rotating […]

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2019: A forward-looking retrospective

Elsewhere on the digital pages of CAN, Brittany M. Hudak and Michael Gill have written fine-grained and big-picture analyses of the year in Northeast Ohio art. Hudak remembered the year in a series of particular exhibits; Gill contextualized local developments within larger trends in the artworld. This post, then, is calibrated towards the medium scale—events which made a great immediate […]

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