The New Postcolonial: Joey Quiñones’s Maroon at the Sculpture Center
Walking into The Sculpture Center’s largest gallery a few weeks ago, I was startled by the clear sightline to a monumental, bare-chested Queen Victoria. She looks proudly over the exhibition space as if it were her colonial domain, full skirts belying a row of burdened, black feet. The black bodies that hold this heavy cast body upright are lined up […]
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