Being the Land, Owning the Self: Timeless Vision: Earth, Sea, and Sky in the Galleries at CSU

The eight artists at the exhibit Timeless Vision: Earth, Sea and Sky are modern proponents of an American tradition, responding to the natural world — to the night, to the sky, to the eternities found at Earth’s wild margins — with subtle, contemporary spirituality. Much of the work at Timeless Vision: Earth, Sea, and Sky at CSU reads (at least at first) […]

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Profiles in Courage: Kimberly Chapman, “hush”

“hush” is a tender syllable, beginning as an exhalation and ending with an onomatopoeic sound, like lips closing for a kiss. Yet like so many sentimental things, the word can also cast a somber shadow, hinting that all breathing will finally stop. When ceramicist Kimberly Chapman uses it as the title of her current show at the McDonough Museum in […]

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2019: A forward-looking retrospective

Elsewhere on the digital pages of CAN, Brittany M. Hudak and Michael Gill have written fine-grained and big-picture analyses of the year in Northeast Ohio art. Hudak remembered the year in a series of particular exhibits; Gill contextualized local developments within larger trends in the artworld. This post, then, is calibrated towards the medium scale—events which made a great immediate […]

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Bodies of Light: Darius Steward at Bonfoey

“Bodies have their own light which they consume to live; they burn, they are not lit from outside.” Egon Schiele   “The Get Up #2”, a recent painting on Yupo paper by Cleveland-based artist Darius Steward, shows a young boy dressed in T shirt and jeans as he rises from the floor, propped on hands and one knee. The image […]

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A Home in the Skin: Lauren McKenzie Noel at Kink

In a lush series of paintings depicting larger than life-size nude figures, Lauren McKenzie Noel explores the sensuous boundaries and psychological range of self portraiture. Nothing says “modern” with quite the same conviction as the self portrait, which in the centuries of Western art since Rembrandt has repositioned the human face and body in respect to history.  In a self […]

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Time Travelers: MANDEM at Waterloo Arts

The dark paintings of MANDEM have an almost cinematic power, combining traditional and digital techniques in seamless layers to create personae that bleed across emotional and historical frontiers. Beginning in earnest more than a decade ago the tightly knit group made up by Maize Arendsee and Moco Steinman-Arendsee, (joined after a few years by their younger cohort Kitsuko) have evolved […]

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