Critics: Still In the Picture

Is there a crisis in art writing? Does the American Midwest need more art writing? More art criticism? And if so, why? For whom? And what roles do different types of art writing play? Curator and art historian Indra Lācis, PhD, has observed that urgency around the subject seems to come up every ten years or so. The rhythm may […]

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The Nature of Healing, at Cleveland Botanical Garden

Flowers escape frames, butterflies balance between celebration and rest, and resurrection arises from grief in The Nature of Healing, a group exhibition co-curated with and presented by Deep Roots Gallery at Cleveland Botanical Garden, on view now through May 18, 2025. Works by 30 Northeastern Ohio artists inhabit the fertile intersection of nature and grief. Cleveland, historically challenged by some […]

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Reviving the Rust Belt: Hannah Bates’s Aggregate, at The Sculpture Center

The post-industrial landscape of Cleveland is by now a familiar visual and conceptual trope in the city’s contemporary art scene. Even as Cleveland actively rebrands itself beyond its legacy of deindustrialization, the rust belt’s industrial past continues to shape both the physical environment and materials readily available to artists. In her exhibition Aggregate, on view at The Sculpture Center through […]

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Artificial Insanity and the Urge to Walk All Night: Montlack and Engler at HEDGE

Rita Montlack and Meryl Engler both work in print media, and the artists are presented as such at HEDGE Gallery, but they could hardly be more different. Montlack’s work is digital, while Engler’s is 100 percent analog; Montlack’s photo-based works are fully chromatic; Engler’s relief prints sometimes use just one color, and even the multi-color prints have a palate limited […]

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Nobody Knows the Glory: Karamu Artists Inc. and Cleveland’s Black Art Resurgence

Eighty years after Karamu Artists Inc.’s 1941 exhibition at the Cleveland Museum of Art, CMA highlights the collective’s role in shaping Cleveland’s Black arts scene and its broader cultural influence, with Karamu Artists Inc.: Printmaking, Race, and Community. The exhibition opens March 23. In 1938, the United States was enmeshed in unflinching racial segregation and widespread poverty. Black Americans, already […]

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