When I saw the title of the new show at the Transformer Station: “Dan Graham/Rocks”, I was excited. My knowledge of this video/conceptual artist consisted of a grainy documentation of a Minor Threat performance at CBGBs, so I was eager to learn about his connection to Cleveland. A connection that seemed to be inferred by the title (obviously playing off […]
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When I asked Cleveland photographer Steven Mastroianni why he still makes photographs the traditional way, his answer was all about silver. For Mastroianni, it’s that moment when the image miraculously appears on the paper that counts. Alone in his darkroom, under the amber glow of the safelight, light causes a chemical reaction on the paper that produces a thin layer of silver – seemingly […]
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Shortly after leaving his graduate painting program in 1966, Bruce Nauman had an epiphany: “If I was an artist and I was in the studio, then whatever I was doing in the studio must be art. At this point art became more of an activity and less of a product.” When artists in the late 1960s such as Nauman, Lynda […]
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You may have seen Michelle Murphy’s work recently in the NEO Geo exhibition at the Akron Museum of Art, fitting comfortably amongst artists that use geometry and formal elements as a means of expression. Indeed, Murphy does have definite connections to the famed Op Art school of thought espoused by Julian Stanczak and others at the Cleveland Institute of […]
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The first time I visited SPACES was in 2007. It was a memorable night for two things: seeing the brilliant work of my high school classmate, Libby Black, and trying to hide the giant sweat stains that had formed in my armpits. The heat was unbearable. What art gallery of this size does not have air conditioning? And yet the […]
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Meng-Hsuan Wu came to Cleveland for a Creative Fusion residency at the Rainey Institute in Fall 2013. Her project—designed to engage visually impaired people in partnership with the Cleveland Sight Center– was to build an indoor pond, fill it with goldfish, and invite participants to allow the fish to nibble at their bare feet, recording their comments in the process. […]
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It all started on Twitter, of course. A disturbed visitor to a London museum wrote: “I hope the @metpoliceuk deal with the masked balaclava ‘protestors’ in the national portrait gallery #London bloody terrifying :-(“. This was posted moments after a disturbance on the afternoon of July 5, and the event was made even more unnerving by its proximity to the […]
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