Emily Rowlett, Author at Collective Arts Network

Bonfoey Gallery Presents (With)Drawing, an Exhibition of Work by Amber Kempthorn

Over the last three years, Amber Kempthorn has drawn, written, directed, and produced four animations that visually translate British composer Benjamin Britten’s Four Sea Interludes into familiar scenes from the Northeast Ohio region. Created in collaboration with the Akron production studio Red Point Digital, Ordinary Magic: A Sunday in the Cuyahoga Valley is supported in part by a grant from […]

11(3) Fall 2022

Bonfoey: A Year in Review

Emily Rowlett

As we finish another lap around the sun, Bonfoey’s is taking time to commemorate the past year at the gallery. We are grateful for the ability to continue supporting our artists; and as we reflect, we simultaneously plan for the future. We ask ourselves: how can we continue to serve our artists and the community? We always have […]

10(4) Winter 2021/2022

Bonfoey Gallery Presents FOCUS, an Exhibition of Six Photographers

Emily Rowlett

Bonfoey Gallery opened FOCUS on May 1; it will run through June 30 in conjunction with the 2021 Cleveland Photo Fest. The exhibition features the work of six photographers: Donald Black, Abe Frajndlich, Amanda King, Jeannette Palsa, Christopher Pekoc, and Garie Waltzer. FOCUS presents a carefully curated collection of photographs, each with its own individual focus, that together bring attention to the […]

Bonfoey: Behind the Scenes

Emily Rowlett

With a year as trying as 2020 under our belt, we’ve been taking some time to reflect on our accomplishments—all of which wouldn’t have been possible without our team of professionals working behind the scenes. Richard Moore, president and owner of the Bonfoey Gallery, has been in the leadership role for over fifty years. His experience extends across the fields […]

Art as a Source of Comfort and a Voice for Change

Emily Rowlett

At Bonfoey’s, we are learning to adapt to the new circumstances we find ourselves in. The shift in the art world has shaken us, but we are prepared to take the necessary measures to ensure our doors remain open to in-person visitors. As such, we continue to ask ourselves: how can we present art in a safe and accessible way? […]