Martha Cooper was one of the early documentarians of New York graffiti. Her 1984 book with Henry Chalfant, Subway Art, ranks alongside Jon Naar and Norman Mailer’s seminal 1974 volume The Faith of Graffiti as one of the primary records of the then-nascent form. We bring her up now because in March, the Cleveland International Film Festival will screen the Selina Miles documentary […]
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Democratizing, inclusive, acknowledging and addressing conflicts Readers may or may not have known about an organization called the International Conference of Museums, but there is in fact such a thing, and it is based in Paris, and it does have 40,000 members, representing 20,000 museums around the world. In Ohio, they include the Cleveland Museum of Art, the Cincinnati Art […]
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Well, maybe just a little. It’s kind of a Cinderella story. An underdog story. A power-of-the-people story. You may have read on CAN Blog right after it happened, but now that we have had some time to reflect on it, we are compelled also to put it in print: In June, at its annual All Ohio Excellence in Journalism Awards, […]
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Printmaker Iván Andrés Lecaros Correa first came to Cleveland—and specifically to Zygote Press—in 2012, as a Creative Fusion resident supported by the Cleveland Foundation. He returned in July with his colleague Sabrina Sofía Ávila Martin in a self-supported residency. Seeds planted by Creative Fusion seven years ago now are poised to flourish with support from other funders as a new […]
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Some artists plow the same fields over and over, as it were, working in a given medium for entire careers. That can’t be said of Eric Rippert, whose show The Man Whose Head Expanded was on view June 7 through July 6 at BAYarts. A lot of people know Rippert for his photographic work, specifically for Cleveland landscape photos featuring […]
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Owning the history of the burning river | The first twelve fires on the Cuyahoga River didn’t get much attention or do much to change the way our industries or governments viewed one of Cleveland’s defining features. But the thirteenth fire, which took place in 1969 and was reported in Time magazine, captured the attention of the nation. Not only […]
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It was late October, 2018 that Cuyahoga Arts and Culture hosted meetings with arts and cultural leaders to get input on a job description, to learn from constituents what leadership qualities are desirable in the organization’s next executive director. It’s a big job at a challenging time. Gary Hanson, a member of the CAC board who is working with the […]
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We’ve said since the beginning that CAN Journal is a mirror of the art scene here. The truth of that, however, depends on who happens to be standing in front of it. For the last two years, Cleveland artists have been talking about racial inequity in our art scene—a conversation pushed along by Cuyahoga Arts and Culture’s efforts to […]
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Douglas Max Utter’s house on the hillside above Euclid Avenue in East Cleveland is filled with his steady output of painting and ideas. In room after room, the walls are hung with his own work. “I’ve made it a kind of museum of myself,” he says, in a way that is perhaps slightly bemused, but also frankly true. There […]
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The Spring 2019 issue of CAN, forthcoming March 1, includes an essay by gallerist and regional art historian William Busta, surveying artists’ treatment of the Cuyahoga River as a subject through the centuries. When we went looking for examples to illustrate the essay, we struck it rich with the Print Club of Cleveland. Coincidentally, there’s an exhibit of Print Club […]
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