Tag: Liz Maugans

Artists Select and Residents Select at YARDS Projects at Worthington Yards

Artists selected for the Artists Select 2019 have created an organic, offbeat mix of contemporary art outside the purview of the classic curator/artist relationship. Rather, participants in the show explore the dynamics of the artist/artist cantor, and will include public and private school teachers, artist friends and colleagues, all while encouraging newcomers to the Cleveland scene (and YARDS Projects) vis-a-vis […]

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Dreamscapes Galore: Ingenuity Fest 2019

“Ingenuity, born as Cleveland’s Festival of Art and Technology, has certainly been through some bleak times.” . . . That’s how CAN’s Michael Gill began a review of the re-energized Festival one year ago. And here we are a year later, with another wildly successful festival under their belts (judging by the amount of people I saw posting photos on […]

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Love Handles: Liz Maugans’s Beautiful Mess at HEDGE

  Liz Maugans, known over the past twenty five years as a power-house of inspiration and sustained effort behind the developing Cleveland arts scene, is also one of the region’s most admired visual artists. Her prints, collages, and drawings document her commitment to personal freedom and the complex emotional and cognitive problems of life in our times – as a […]

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Letting the Fresh Air in…YARDS Projects

Plein air is a French expression meaning “open air” and refers to the creation of art made outside. We have invited artists to leave the four walls of the studio behind and experience painting, drawing, printmaking, documenting and observing in the landscape. Fresh Air displays artists doing just that—getting outside, and being inspired by the views and perspectives of Cleveland, […]

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Liz Maugans’ Beautiful Mess at HEDGE Gallery

After thirty years making art, Liz Maugans is taking an inventory of her life and transforming her experiences into new print-based collage work titled Beautiful Mess, opening this June at HEDGE Gallery. The most fascinating aspect of this exhibit is that Liz has used almost all repurposed materials to create her multilayered work. The abundance of printed remnants, or what […]

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YARDS Projects Presents TradeMarks and Fabulism

TradeMarks March 1-April 26 CAN launch & opening reception 6–9pm Friday, March 1 In the 1960s, Andy Warhol famously made silk-screened copies of Brillo boxes. In the ’80s, Richard Prince re-photographed magazine ads for Marlboro cigarettes and Barbara Kruger created large-scale word-and-photographic image pieces that objectified her experience of the world, transforming her job as a designer into her work […]

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Natural Selection at YARDS Projects

Several exhibitions of late have focused on peer-to-peer recommendations where artists boost other artists they admire. The Progressive Art Collection’s recent Full Fathom Five and the Bienal de São Paulo are artists-led, artist-curated or suggested nods to who they see as ripe for study or celebration in new venues, in front of new audiences. Artists who exhibited at YARDS Projects […]

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I Scarce Can Take It: Works by Martha Cliffel, Gadi Zamir, Misty Lindsey & Reverend Albert Wagner

“I scarce can take it” is a lyric drawn from the gospel song “How Great Thou Art,” a Christian hymn based on a Swedish traditional melody. The line was later appropriated into a poem by the well-known nineteenth-century Swedish poet, Carl Boberg. In Boberg’s poem, the line expresses the spiritual force that the reader/listener experiences from a story of inspiration […]

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Cleveland FRONT and SEEN: Works of Timothy Callaghan, Hilary Gent, Darius Steward, and Sarah Paul at YARDS Project Space

Founded during America’s westward push in the late eighteenth century, Cleveland has traced the classic trajectory of American cities. A trading outpost, Cleveland ascended during the Industrial Revolution, playing host to John D. Rockefeller’s Standard Oil Company, and General Electric’s Nela Park. The city’s rise was epitomized by development of the 52-story Terminal Tower—for decades, the tallest building anywhere outside […]

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