It is not often that the Cleveland Museum of Art constructs an exhibition centered around a single object. Even more rare is an exhibition that focuses on revealing the object’s extensive conservation history. Though the CMA has encouraged discussion around conservation in the past—such as with objects like the Cambodian sculpture Krishna Lifting Mount Govardhan (c.600) and Caravaggio’s The Crucifixion […]
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One of the most dazzling and best-curated exhibitions on view in Northeast Ohio in many years is the exhibition on the Cleveland firm Rose Iron Works currently in view in the Focus Gallery, just off the main entrance of the Cleveland Museum of Art. Organized by the museum’s curator of decorative arts, Ada de Wit, it’s visually outstanding, and also […]
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Shahzia Sikander: Collective Behavior premiered at the Palazzo Soranzo van Axel in Venice, (April 20–October 20, 2024) as a collateral event of the 60th International La Biennale di Venezia. The U.S. iterations are co-organized by the Cleveland Museum of Art and the Cincinnati Art Museum. This is the most comprehensive presentation of the Pakistani American artist’s work to date, bringing together 40 pieces […]
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Keen on learning about local heritage as a new Clevelander, I took up an invitation from our conservators Beth Edelstein and Colleen Snyder to visit the Rose Iron Works studio in October 2023. The Cleveland Museum of Art’s (CMA) collection of decorative arts, the care of which I had assumed two months prior, includes the Muse with Violin Screen(1930) by […]
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Eighty years after Karamu Artists Inc.’s 1941 exhibition at the Cleveland Museum of Art, CMA highlights the collective’s role in shaping Cleveland’s Black arts scene and its broader cultural influence, with Karamu Artists Inc.: Printmaking, Race, and Community. The exhibition opens March 23. In 1938, the United States was enmeshed in unflinching racial segregation and widespread poverty. Black Americans, already […]
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The Cleveland Institute of Art’s Love Is Resistance, which opened on Valentine’s Day at Transformer Station, is in a multitude of ways The Kind Of Show We Need Right Now. After a year with no visual art programming at the Cleveland Museum of Art’s West side exhibit space, after decades during which Cleveland artists have pined for any measure of […]
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In 2025, Greater Cleveland’s vibrant artistic community is on full display at the Transformer Station. The exhibition schedule includes collaborations with the Cleveland Institute of Art, FRONT Fellows, and CMA Staff in three major art exhibitions: Love Is Resistance, CMA Artists at Work, and FRONT Fellows Show, along with a series of performances highlighting a talented array of regional artists. […]
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Like lovemaking, being photographed by one’s lover is an intimate, collaborative act. This is the subject matter explored by American photographer Kelli Connell in Pictures for Charis (pronounced care-iss). Over the past ten years, Connell researched and reconsidered the lives and relationship of writer Charis Wilson and photographer Edward Weston as Connell photographed her partner at the time, sculptor Betsy […]
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In several scenes in the film Como agua para chocolate[1] (Alfonso Arau, 1992, based on the book of the same name by Laura Esquivel), the De la Garza sisters cross the border between Mexico and the United States, like those who cross the street: without so much drama or paperwork. They cross for a variety of reasons: They go to […]
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En más de una escena de la película Como agua para chocolate[1] (Alfonso Arau, 1992), basada en el libro homónimo de Laura Esquivel, las hermanas De la Garza cruzan, por diferentes motivos, la frontera entre México y los Estados Unidos, como quien cruza la calle: sin tanto drama ni papeleo. Van a visitar al Dr. Brown, quien vive en la […]
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