Darice: In inviting me to participate in the Full Fathom Five exhibit at Progressive, did you see a connection in our work, and where did that interest come in? Barry: I was moved by a lot of [what] you were posting on social media, and seeing your work at Bill Busta’s gallery. I was really curious. I also felt that […]
Read more
The number of artists who applied to the curated CAN Triennial exhibition was enormous, and the range of their experience and accomplishment, the diversity of their techniques and perspectives all were inspiring. We should not be surprised: this is emblematic of the energy and intensity visible every week in the Cleveland art scene. In all, curators William Busta, Angelica Pozo, […]
Read more
by Laura Ruiz Montes Translation by Damaris Puñales Alpízar Laura Ruiz Montes is a poet, writer, and critic in Matanzas, Cuba, who was a Spring 2017 Creative Fusion resident in Cleveland, hosted by CAN Journal and supported by the Cleveland Foundation. This is the second part of her essay on Cleveland artists of Latin American descent. The first part […]
Read more
“They tried to bury us, they didn’t know we were seeds.” You may have seen this popular slogan on posters at the women’s march last week. But the seeds that artist Darice Polo is examining in “Seeds of Colonialism” didn’t lead to unity and peace, but rather a century of oppression, discrimination, and exploitation. Technically, Puerto Rico is a U.S. “Unincorporated Territory”, […]
Read more
You must be logged in to post a comment.