Indrė Šerpytytė’s Two Seconds of Colour, rectangular painted color fields stacked brick-like in a grid, looks like a work of vibrant minimalism, and that sensibility is only enhanced when the work is presented as a series, as it was last year at the Contemporary Art Centre in Vilnius, Lithuania. It’s pleasing, with a nearly lulling effect. But Šerpytytė, a Lithuanian […]
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Maybe it’s ironic to present images of Lin Ke’s virtual art in a print magazine. Or maybe printed photos representing works that are made on a laptop and exist on screens or in projections, with the internet experience as their subject matter, are just another layer in the experience of removal from reality. The artist from Beijing, China discussed the […]
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Talking to a crowd of about 30 people at the FRONT Porch in January, LA-based Juan Capistran described himself as a “post studio, conceptual artist,” which is not a term a person hears very often in Cleveland. Northeast Ohio artists for the most part not only have studios, but outfit them to work in a specific medium, and define themselves […]
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When Juan Capistran visited Cleveland for a week in January, we took a driving tour, starting in University Circle. There’s nothing like showing Cleveland to a visitor to reveal the city to yourself anew. Los Angeles-based, Mexican-born Capistran is one of the Madison Residents, a cohort of national, international, and Cleveland-based artists whose residencies are supported by the Cleveland Foundation […]
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Lauren Yeager’s studio on the fourth floor of a near-east-side warehouse is filled with the dry humor of accumulated cast-off products, mostly made of plastic. You wouldn’t call any of it beautiful, at least not to look at, not in any conventional sense. There are five-gallon paint buckets brimming with drips and smears, mostly white and neutral. There are balls […]
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Cleveland’s FRONT triennial is primarily a visual arts event. But its choice of playwright Michael Oatman as one of its initial six Cleveland artists through the Cleveland Foundation’s Creative Fusion program signals a broader agenda. The selection of Oatman also indicates an attempt to reach out to parts of the urban area often overlooked for trendier and more affluent environs. […]
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It’s not just that Creative Fusion Madison Resident Julie Patton is an open book—she’s several open books, pages fanning, fluttering, in motion. She is a pop-up book, 3-D and surprising; a matchbook, with all its spark and flame and heat and light and char and singe; a how-to; a cookbook; a book of poems; a world atlas, drawing from the […]
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The wall reliefs Dale Anthony Goode turns out might well serve as altar pieces in Jimi Hendrix’s electric church. Fashioned from the detritus of his Hough neighborhood, they also evoke shrouds, embedding random urban cast-offs in large works that seem to want to break free. One of six Cleveland artists to be showcased in next year’s FRONT International Cleveland Triennial […]
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Sculptor Elizabeth Emery was selected as part of the Cleveland Foundation’s Creative Fusion program for The FRONT International Cleveland Triennial. She corresponds with writer and culture-critic jimi izrael about FRONT, the Cleveland art movement he’s missing, the way her sculptures move and fellow dog-lover David Berkowitz. jimi: Hi Elizabeth — how goes? ELIZABETH: Greetings. jimi: Are you […]
Read moreFRONT International is a program of exhibitions, interactions, performances, lectures, and encounters with contemporary art designed to mine the topic of Cleveland as an American city. With dozens of artists working in and around the city periodically on projects for next summer, FRONT offers the region’s creative class as well as the visiting artists numerous opportunities for experimentation and discovery. […]
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