Look Out, Cleveland
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The Times review from 2014 was not much more than a blurb—an attempted takedown of Chicago-based conceptual artist Michelle Grabner by critic Ken Johnson dripping with contempt. It must have irked Johnson that he was duty-bound to refer to the artist, whom he dismissed as a “comfortably middle-class tenured professor and soccer mom,” as “one of the curators for this […]
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