Michael Weil’s uncanny Moonlight in the Gates

Michael Weil’s recent photographs of Lake View Cemetery remind me of Alvin Langdon Coburn’s 1917 comparison of photography and “black magic,” but not exactly because Weil’s pictures were taken at night and include a great deal of black. Coburn made this connection to introduce his “Vortographs,” some of the first photographs ever conceived as abstract art. In a period of […]

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In Dad’s Chair: New Work by Angelo Merendino on view at Foothill Galleries

The chair has been front and center in visual art for thousands of years.  In the regal granodiorite sculptures of Pharaohs and the grand medieval altarpieces of the holy family; bearing the weight of Picasso’s Gertrude Stein, incriminating in Steichen’s homicidal J. Pierpoint Morgan, Esq., and in so many of Alice Neel’s intimate portraits, the chair is the necessary object for the seated portrait. As […]

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