Michael Weil’s uncanny Moonlight in the Gates

Michael Weil’s recent photographs of Lake View Cemetery remind me of Alvin Langdon Coburn’s 1917 comparison of photography and “black magic,” but not exactly because Weil’s pictures were taken at night and include a great deal of black. Coburn made this connection to introduce his “Vortographs,” some of the first photographs ever conceived as abstract art. In a period of […]

Read more