CAN Journal’s Print Quarterly Re-Designed

With the Fall 2022 issue of CAN Journal, Northeast Ohio’s magazine of the visual arts debuts a new design, created by JoAnn Dickey.  Readers may wonder why we would tinker at all with design that has won recognition from AIGA. And they will immediately notice several features, beginning with a new treatment of the logo on our cover. That, specifically, […]

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FRONT: Installed to Stall

Art and activism collide in Ahmet Öğüt’s Bakunin’s Barricade at the Allen Memorial Art Museum in Oberlin, Ohio. Part of the 2022 FRONT Triennial, this massive installation remains on view until December 23, 2022 in its North American premiere. Öğüt, a Kurdish-born artist working across media, collaborated with Oberlin College students and museum staff to create an assemblage that questions […]

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FRONT: To Soothe the Savage

In the Rock and Roll Capital of the World, the phrase Music Has Charms to Soothe the Savage Beast has some truth to it, even if we might re-write the second half for the 216: Music has charms to provoke the savage beast, or rally the struggling sports ball team, or energize the working man. But the English poet William […]

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FRONT: Paralysis, Motion, Sound and Fury, at FAVA

Frozen motion and cross pollination across genres glow at the Firelands Association for the Visual Arts (FAVA) as part of the FRONT International 2022. Works by painter Alexandria Couch, media artist and composer Joe Namy, and video artist Tony Cokes are on view through October 2, 2022, at FAVA’s galleries in the splendid 1873 New Union Center for the Arts […]

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Dream House

Jada Renee Hobson brings positive messaging and plenty of energy to all she does. Her messaging includes phrases like “Be Happy,” and “Inspire the Uninspired.” That positivity extends to her vision of INDI Art House, a studio-in-the-works for local artists and youth looking to enhance their skills. It will offer activities for youth through her non-profit Destination Dream Foundation. She’s […]

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Catching Joy Where We Can

It’s a bit surreal to park in Cleveland’s bustling Gordon Square Arts district and walk the short block to the Maelstrom Collaborative Arts’ storefront space, where Jasmine Golphin’s newest VR installation, Above|Below is being presented.  During a time of immeasurable fatigue, uncertainty, and political turmoil, the work invites us into another world.  It’s a bit unnerving to see VR headsets, […]

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FRONT in Cleveland: A view from Chicago

If you asked me at the beginning of my summer in Cleveland what my expectations were for local activities, I would have off-handedly mentioned something about a baseball outing or maybe a visit to the Rock and Roll Hall of Fame. I am a student at the University of Chicago, and I’ve been spoiled by the plethora of public art […]

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FRONT at CMA: In Ruins, There Are Always Possibilities

Unfortunately, I’m not very plugged into the FRONT International Cleveland Triennial for Contemporary Art in 2022. I’m moving out of town and haven’t had the time, blah blah blah. Fortunately, my farewell ramble through the Cleveland Museum of Art brought me to the Glass Box gallery (#218) and the vast ocean of all possibilities, an electrifying installation by Firelei Baez. […]

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CAN Triennial Exhibition Prize Search is On

With the opening celebration for CAN Triennial July 8 at the Morgan Conservatory, and the opening of all exhibits the following day, the curatorial search for the artists who will win CAN Triennial 2022 Exhibition Prizes is on. In the first two weeks of the exhibitions—completing their searches by July 22—curators and other representatives from nine regional museums and other […]

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FRONT Futures Fellows: Three Is Not Enough

Sometimes three is a crowd. Other times it is not enough. When FRONT International Cleveland Triennial for Contemporary Art initially announced its Futures Fellowships, the commitment was that three Cleveland artists of Color would be selected as fellows, each winning significant support in the form of a $25,000 cash award, plus organized, art-related travel (both internationally and within the US), […]

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