Love, Terror, and Happy Accidents: Kate Gilmore at MOCA Cleveland
The nascent years of the 21st century have been shaped by subjectivity, identity politics, and social media, wherein identity is not only self-branded as subjective, but carefully crafted for public consumption. In that context it’s rare to find art that has the potential to resonate broadly. Many of Kate Gilmore’s works, however, are exceptional representations of (dare I say) “universal” […]
Read more
You must be logged in to post a comment.